Skip to main content
Photo: Jeremy MImnagh, Design: Messenger

Friday, October 16

October 16, 2026 General Admission: $25 Get Tickets

The Citadel: Ross Centre for Dance
304 Parliament Street

October 16

Kimia Farokhzad | Yvonne Ng | Buyi Philip

Night two features a wide range of dance styles, which explore the unique voices of each artist. Tonight’s performances offer something for everyone!

Meet the Artists

Photo of Kimia Farokhzad Photo: Jeremy Mimnagh

Kimia Farokhzad

Kimia Farokhzad is a multidisciplinary artist and musician working across performance, sound, and visual media, exploring the body as a site of tension, memory, and resistance. With over eight years of experience in performance, she began her practice in Tehran through theatre, performing in productions including Self-Accusation and Antigone, as well as participating in experimental and international theatre festivals. Over time, her practice shifted toward movement-based and interdisciplinary work, combining voice, music, and physical performance in experimental and underground contexts.

Since relocating to Toronto in 2024, she has expanded her practice through contemporary performance, including training and performing in Edge Raw (2026), a project led by Jaber Ramezan. Experimentation and artistic freedom are at the core of her practice. She is drawn to risk, improvisation, and working beyond disciplinary boundaries, using vulnerability as a central artistic tool to create work that is raw, embodied, and emotionally exposed.

Photo of Yvonne Ng Photo: Jeremy Mimnagh

Yvonne Ng

Singapore-born, Toronto-based choreographer Yvonne Ng | 黄碧琬 creates physically nuanced works that invite audiences into acts of perception, where meaning is not fixed, but continually shaped through attention, relation, and time. As Artistic Director of tiger princess dance projects, she has developed a distinct choreographic voice grounded in improvisation, Open Source Forms, and a deep sensitivity to the relational dynamics between performers, space, and audience. Her works often unfold as layered, non-linear compositions that invite multiple readings, positioning audiences as active participants in meaning-making. Ng’s choreography has been presented across Canada and internationally and has received multiple Dora Mavor Moore Award nominations. Recent works, including All that is between and Wéi (成为) explore the delicate dynamics of being together, how presence, attentiveness, and relationship continually shape what unfolds between us.

Photo of Buyi Philip Photo: Jeremy Mimnagh

Buyi Philip

Buyi Philip is a force of nature. A Toronto-based dancer, choreographer, and movement innovator with over 15 years of experience fusing Hip-Hop, African Traditional, and Experimental movement into an electrifying artistic language that is entirely his own. His work is bold, culturally rich, and deeply human — bridging tradition and innovation through a movement practice that is as disciplined as it is fearless. As a performer, choreographer, and facilitator, Buyi has graced festival stages, led dance residencies, and created community movement experiences that resonate far beyond the studio. As founder of Inside the Rhythm, he continues to redefine what dance can express, connect, and transform. Buyi doesn’t just dance — he occupies the moment, shifts energy, and pulls you somewhere you didn’t expect to go.

Credits

Great Itching

Choreographer: Kimia Farokhzad

Aperture I

Choreographer: Yvonne Ng | tiger princess dance projects

The Archetype

Choreographer: Buyi Philip

Show Information

Great Itching

Great Itching explores the body as a site of sensation, control, and rupture. What begins as a minor itch gradually transforms into an uncontrollable physical urgency. Through repetitive movements, amplified scratching, and distorted vocalizations, the body becomes both instrument and subject. 

Aperture I

Part of a larger choreographic work in development, Aperture I unfolds as a quiet conversation among three distinct bodies, each tracing its own path while occasionally brushing, crossing, or veering away. Performed by Morgyn Aronyk-Schell, Johanna Bergfelt, and Amelia Brown, the trio explores perception, presence, and shifting proximity.

The Archetype

A work that is deeply human, relentless search for belonging, for answers, for a place that exists and then doesn’t, that is found and then lost, that pulls you forward even when the destination dissolves. Through shadow and persona, death and rebirth, stillness and rupture — The Archetype moves through the paradox of being alive. 

Back to Night Shift 2026